Sunday, February 12, 2012

Queer Aesthetics

You know when you're trying to write about one thing, but you've got something else boiling under your skin? Yeah, that's what's happening with me at the moment. I'm trying to finish my final data chapter (!!!) but there's something else that is on my mind: aesthetics - and particularly lesbian/queer aesthetics.

This has been something I've been pondering for awhile, especially over the last six months, as I've come to the end of (or rather a pause in) a massive physical transformation and have been quite actively exploring what it means for me to be single and gay, and where I situate myself within the queer community.

To contextualise this: I only realised I was gay about 2 years ago, after breaking up with my first girlfriend. Since then, I have lost around 30kg. This was the result of a very intensive campaign to get fit and improve my health; it was never about being thin (something I have no desire to be). I have talked about my weight loss a lot on this blog, and I don't want to get into it again here. All that needs to be said about it here is that I reached a point where I was happy with my body, sick of spending all my time exercising, and annoyed that my clothes never fit me for more than a couple of months (that's all well and good when you can afford to buy new ones; I can't!); so my body transformation project has been put on the back burner for the time being. Over the past, erm, 8 months I've also been figuring out - for the first time - what it means to me to be gay and single. When I first came out I felt like my sexuality was contingent upon my relationship status. It wasn't until Lady Cop and I broke up (for the final time) that I started to explore life as a single lesbian; in a nutshell it's AWESOME!

When I first started dating women, I was quite insecure with myself, particularly about my appearance. Coming from heteroland, I felt that I did not have enough beauty capital to attract the kind of man I was attracted to, and I did not know if those same beauty dynamics would transfer over into the lesbian community. How would other women engage with my body, and how would I engage with their bodies? It has been completely fascinating for me to observe and experience a variety of queer aesthetics. Heteronormative beauty standards do not hold the same influence within the queer community - though they are not completely absent either - and while I have found that incredibly liberating, I have also discovered that queer aesthetics can be quite difficult to navigate.

For me, aesthetics are extremely important. They are important because they are about how I represent myself to others, and about how I interpret others. I think it's also really important to differentiate between aesthetics and looks/attractiveness, because while they are related, they are not the same things. I understand looks/attractiveness to be about how one measures up to some external standard of beauty. Looks/attractiveness is often quite a disempowering framework because it is quite narrowly defined, is always about comparison and conformity, and its standards are nearly impossible for most people to obtain. I understand aesthetics to be about how one expresses one's individuality. I would say that it involves developing a stylized version of one's self, though technically such a stylization could involve completely disengaging from the dictates of the fashion and beauty industries.

The reason I believe aesthetics are so important is because of their link to desire. And this is precisely why I find myself so fascinated by queer aesthetics; because they signal queer desire - often in complex and messy ways. Our aesthetic practices (generally) signal something about our personality to others: wearing gym clothes tells people you are interested in fitness; wearing a suit is a sign of power; high heels are a sign of femininity; and asymmetrical haircuts are, apparently, a sign of living in Melbourne's inner north. Queer aesthetics complicates this, because queer culture is about challenging binaries and finding new ways of being. Queer culture is further challenged by the fact that not everyone in the gay community is queer. This has meant, for me, that sometimes I am misread.

I suppose that being misread is part of the parcel of being queer; not everyone is going to get it and that is, after all, the point. Why I struggle with being misread is because I misread myself for so much of my life. Being heterosexual was an identity that never sat comfortably with me and ultimately made me very unhappy; I am eager to distance myself from it in as many ways as I can. I spent far too long passing for a heterosexual; I want my body to signal to myself - as much as to anyone else - that that is not who or what I am.

Since coming out, I have sought to make myself visibly 'queer'. Many of you are familiar with my quest to achieve appropriately 'lesbian' hair: in an effort to make my gayness immediately obvious, I have shaved off most of my hair. My hair certainly signals to the right people that I am gay, and as I joked before, that I live in the inner north. I have this desire to achieve an aesthetic that is unmistakeably queer; an aesthetic that is not linked to clothing, but is of my body. Tattoos are good for this, though  even the visible and aggressive ones have been appropriated by certain heterosexual aesthetics. At the moment I am experimenting with being a hairy lesbian, since body hair seems to be something straight women shy away from. The problem there is that I am ridiculously blonde, so even after months of growth my body hair is not immediately visible.

The reason that I, at times, am misread within the gay community is because there is a disconnect between what my aesthetic says about me, and how I actually am. You see, I like to wear dresses. I always have, and I reckon I always will. But I am not now, nor have I ever been, a 'girly girl'. If I had to sum myself up in four words, I'd probably go with: wears dresses, throws punches. The picture of me at my 4th birthday that I have on this blog I think demonstrates this divide nicely. Because of this, people often tell me that I should go for the rockabilly look. And while it's true that this style suits me remarkably well - it is a style that celebrates the hourglass figure - there are three reasons why I am not taking on a full time rockabilly aesthetic:
  1. I have 'commitment issues'. I do not not want to be boxed in to any one way of being. I would get extremely bored if I only ever expressed myself in one particular way. Besides, my personality is far too all over the place to be contained by any one aesthetic.
  2. The best thing about being poor has been that it's forced me to breakup with consumerism. I am a recovering shopaholic. I have found it so liberating to not be concerned about wearing the flashest clothes, and have found it incredibly empowering to experiment with fashion I can afford. As it turns out, if you wear your clothes well, it really doesn't matter that they came from Kmart and Savers.
  3. While I enjoy the rockabilly aesthetic, I feel no particular connection to rockabilly culture. Largely because, from the outside looking in, rockabilly feels quite heteronormative to me. I know that there is a huge queer engagement with rockabilly, but, it strikes me as often reproducing the butch/femme dichotomy, which is something that I personally do not want to engage with. I consider my personality to be quite masculine, and while there is room for that within the rockabilly femme aesthetic, I don't know, it just doesn't sit well with me. Maybe that's unfair. It's based on a personal experience I had with a woman who - I think - expected me to act femme when I dressed femme. Which just made me want to act incredibly butch. Which made her not want to talk to me anymore. There's good reason for why I have a rep at my office for topping from the bottom!! Maybe I just need to come with a disclaimer...
Embodying a queer aesthetic is something of a moving target. What it means to be queer changes over time; what it means to me to be queer has changed over time. Which aesthetics are appropriated by the queer community change, and are gradually reappropriated by the hetero community (cuz we're the cool trend setters that move society forward). There is no permanence to queer aesthetics; it is always read as queer because of how it is situated within a particular socio-historical context. For instance, my struggle to have my personal aesthetics reconciled with my queer desires may be specific to the Melbourne scene. I wonder if I would still be read as femme if I was in Calgary, where there is a much more conservative aesthetic culture? I suppose in a few months I will find out!

Queer aesthetics are about pushing the boundaries of existing ways of being, and opening up space to become something new. Doing so involves inhabiting spaces where, as Cressida Heyes described it, one is - to some extent - unintelligible to others. I have not quite worked out how to signal my desires through my aesthetic: I am a masculine woman with feminine aesthetics who desires masculine women with masculine aesthetics. But this is part of the fun of being single: I get to experiment with my aesthetics and see who responds and how.

body love
And while it would be nice to have my self and my desires read correctly through my aesthetics, I find that having conversations with people tends to clear up any misinterpretations that may occur (if only everyone was as open to having such conversations as I am)! Besides, even if there was some aesthetic that did signal exactly who I am and what I want, desire is much too fluid to stay in any one place forever so any successfully occupied aesthetic is always going to be temporary anyways. Thank goodness I am finally happy just being me!

Monday, February 6, 2012

Midsumma Madness!

Well my lovely queers and heteros, another Midsumma has come to an end. And what a girlwind it was! From spending a week in the mountains with 30+ ladies, to hitting the clubs, to checking out the shows, to pashing some girls, to making new friends, to catching up with old friends, to marching with Pride... It's been a busy month!

First of all: drama camp was AWESOME! I had such a great time and met many, many amazing women. I also got to cook some insanely delicious food and be loved and adored for it. While hanging out in the mountains. I felt like I was being spoilt! I even managed to get some quality work done on my thesis, which, as you'll remember, was the whole point of me going on this trip!

Oh, and the best part: I finally got to make use of my valid Victorian driver's licence and drive someone's car!! It seems that leaving out the whole "I've never driven on the left before" thing is key. I didn't have to drive far, and it was on a small mountain road with very little traffic. I'm so used to traffic moving from the left here now that I thought I'd be fine to drive. But I was not prepared for all the signals and gears and stuff to be on opposite sides!! It was way more disorienting than I had anticipated. BUT, I am an entirely competent driver and we made the trip without issue AND I did a fabulous job parking upon our return. I waited a couple of days before informing the owner of said car that she'd inadvertently popped my driving in Australia cherry. ;)

Like most things I do, I had no idea what I had signed on for. Our days started early and ended late. There were three of us on the kitchen crew, and hubby proved to be not only a great cook but an efficient and organised leader. He planned the meals, I just chopped what I was told to chop, stirred what I was told to stir, set out food and plates and cutlery where I was told to set them out, and grilled some sausage when I was told to grill some sausage! (I seriously hope the sausage was not completely disgusting; turns out I still can't stomach the thought of eating beef.) What I did take charge of was the clean up crews. After every meal I supervised the clean up crews as they did all the actual work of scrubbing up all the mess we'd made in the kitchen throughout the day. I had so much fun with the clean up crews that I actually started applying for work as a dishwasher when I returned to Melbourne. (Alas, a career as a dishwasher does not appear to be in the cards for me: instead I'll be doing some data entry at ARCSHS.)

I didn't know what to expect from the girls, not being from a drama background myself. The vocal warm ups freaked me out, at first, but then I got used to them and even missed the chorus of weird squawking and chanting at 9am when camp was over. The singing I did not miss so much. It took me about 4 days to get the songs out of my head!! But otherwise, I was quite delighted to find that they were all friendly and curious about my thesis (although after having the same conversation for the 20th time I may have started to wish they weren't) and good eaters! We made a lot of food and very little went to waste! I ate like a freggin' king! I mean, being on the kitchen crew, we had to make sure everything was fit to be served...and sometimes we had to check more than once, you know, just to be sure.

Girls Do Gertrude was a double bill of Gertrude Stein plays. The idea was to go away to the mountains for a week of intensive rehearsals, then come back and put the plays on. One group rehearsed downstairs in the lodge, and the other rehearsed in the space beside the kitchen. So we got quite familiar with the goings on of that particular play. With the singing, and the circles... *ahem* The second play, however, was a total mystery to me. Except, every now and then we'd hear these blood curdling screams coming from downstairs. Often the screaming came when we were reaching the breaking point of hearing Ain't We Got Fun yet again, so I wasn't entirely sure if they were related to the play or not! ;) It was actually really cool to see the play come together over the course of the week, and to know that there was this whole other play happening that I'd get to be surprised by when it was all finished.

I went to see the show last weekend, though in a funny twist of events I actually ended up at Northcote Town Hall with a couple of friends to check out another Midsumma event earlier in the week, and ran into the girls after their show. That was quite fun! Anyways, I went to see the show on Saturday and I of course had to get dressed up for it! 1920s style! I just so happened to have the perfect outfit lying around for the occasion. I even broke out the iron for it!

From what I'd seen in the rehearsal week I figured the plays were going to be good, but honestly, they were so much better than I expected! The first one, A Circular Play, was really witty and fun - and the costumes were incredible! I don't really know how to describe it, other than that it gave me a whole new appreciation for the art of acting. And directing! And the difficulty in learning the words to a song! The second play, Three Sisters Who Are Not Sisters, was amazing! It was a play repeated three times, each time a bit differently, and each time I got something different from it. It had this incredibly fun opening part where the girls were all being little kids playing and their play turns violent. It was dark and twisted, and yes, the screaming was part of the play. I have a new found appreciation for theatre after that week!

There is much more that I could update on, but I don't want to sit at my computer forever. So to do a quick summary: I have reached exciting new depths of poverty. It's been an interesting experience to have so little money to see me through the month. I've agreed to let hubby cut my hair for free, which he did last week...with his beard clippers and some kinda dull scissors. He actually did a rather amazing job, and may possibly be able to turn a small profit on offering niche market lesbian haircuts. I'm also on this exciting new diet called eating what other people give me for free! It is supplemented by another diet called eating food I can get for cheap. The health nut in my cringes at this, but the social scientist in me sees this as an interesting new experiment and is excited to see where it leads. Meanwhile, the student in me says as long as there is money for coffee and beer, I've got nothing to worry about.

I started my classes with the Women's Circus last week. That is quickly shaping up to be the most fun I have ever had, and possibly will ever have, in my life! My trainers are fantabulous, the women in my class are awesome, AND I get to learn cool tricks that involve me looking like I'm ridiculously strong. My guns aren't too shabby, but I'm not quite at llama status yet!

Now that Midsumma is over, I'm under official lock down to get my thesis over and done with! I've only got six more months to go, and a mountain to climb in that time. It can be done, but it ain't gonna be easy! I just have to keep reminding myself that the sooner I get my first draft completed, the sooner I can get the tattoo I've been planning for the past two years! I may barely be able to afford groceries, rent, or electricity, but I'm saving up my pennies for that next tattoo. There's no fucking way I'm completing that draft only to find out I don't actually have the money to afford the ink!!!

Until next time...wish me adventures!